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From the RIAA’s H1 US recorded music market stats to UMG’s inventory improve… it’s MBW’s Weekly Spherical-Up

whysavetoday by whysavetoday
September 2, 2024
in Business
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From the $2bn+ copyright lawsuit in opposition to Verizon to Shamrock’s rights portfolio acquisition… it’s MBW’s Weekly Spherical-Up
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Welcome to Music Enterprise Worldwide’s weekly round-up – the place we be certain that you caught the 5 largest tales to hit our headlines over the previous seven days. MBW’s round-up is supported by Centtrip, which helps over 500 of the world’s best-selling artists maximize their earnings and cut back their touring prices.


This week we realized, from information printed within the RIAA’s new midyear report, that the USA noticed simply 2.5 million internet additions of Paid music subscription accounts in H1 2024 vs. the prior-year interval – an increase of simply 2.7% YoY in share phrases.

That +2.5 million YoY internet improve in H1 2024 in comparison with a +6.6 million YoY internet rise in H1 2023, +7.9 million in H1 2022, +9.4 million in H1 2021, and +14.4 million in H1 2020 – a gentle sample of deceleration within the development of subscriptions within the US market.

Additionally this week, we reported that Invoice Ackman‘s Pershing Sq. Holdings, which owns 10% of Common Music Group‘s fairness, just lately printed its interim monetary report for the primary half of 2024, through which it expressed confidence in UMG’s long-term prospects.

Plus, a distinguished music enterprise analyst simply upgraded UMG’s inventory from “impartial” to “outperform.”

We additionally realized this week that UK-headquartered Beggars Group is now a GBP £100-million-plus annual income firm.

In the meantime, Bertelsmann-owned BMG reported that its turnover hit EUR €459 million (USD $496m) within the six months to finish of June, up 11.1% YoY, or up 12.5% YoY on an natural foundation, as digital revenues considerably elevated their share of BMG’s general turnover.

Lastly, in a visitor column for MBW, Ed Newton-Rex, CEO of the moral generative AI non-profit, Pretty Educated, argues that it’s time for DSPs to take motion towards music generated by AI fashions that have been skilled on copyrighted music with out permission.

Right here’s what occurred this week…


Credit score: Tribune Content material Company/Alamy

1) PAID STREAMING SUBSCRIPTIONS GREW JUST 2.7% YOY IN THE US IN H1 2024 – BUT OVERALL MARKET REVENUE TOPPED $8.6BN

Two vital information factors for you.

Vital Knowledge Level 1: There have been 131.43 million households within the US final 12 months, in response to Census information.

Vital Knowledge Level 2: Based on new stats from the RIAA printed Thursday (August 29), there have been 99.0 million paid music streaming subscription accounts in H1 2024.

What we’re about to let you know, subsequently, isn’t any nice shock. Nevertheless it’s nonetheless massive information for the worldwide music business:

The US seems to be formally nudging nearer to saturation level for music subscriptions – i.e. the second when the utmost attainable quantity of paying American music subscribers has been reached…


Credit score: Shutterstock

2) THIS ANALYST HAS WATCHED UNIVERSAL MUSIC GROUP CLOSELY FOR YEARS (AND HASN’T ALWAYS BEEN MEGA-POSITIVE). HE JUST UPGRADED UMG’S STOCK FOR THE SECOND TIME IN A YEAR.

There are few monetary analysts which have noticed the music enterprise – notably Common Music Group – for as lengthy, and as carefully, as William Packer of BNP Paribas Exane.

On Thursday (August 29), Packer tweaked his view of Common Music Group’s inventory, and it’s excellent news for Sir Lucian Grainge and co: Packer has once more upgraded his inventory score, this time from “impartial” to “outperform”.


Credit score: Ben Houdijk/Shutterstock

3) BEGGARS GROUP IS NOW A £100M+ ANNUAL REVENUE COMPANY

Beggars Group, the UK-based document firm that owns or co-owns XL Recordings, 4AD, Tough Commerce, Matador and Younger Recordings, amongst others, has reported a 13.3% YoY leap in turnover for 2023, bringing its annual income above GBP £100 million for the primary time.

Based on its annual accounts, filed on Tuesday (August 27) with the UK’s Corporations Home, the corporate owned by Martin Mills final 12 months introduced in income of £103.18 million (USD $128.33 million on the common change fee for the 12 months).

In the meantime, XL Recordings, 50% owned by Beggars, reported an working revenue for 2023 of GBP £10.32 million (USD $12.8 million).

Throughout these 12 months, XL launched simply eight new albums — sustaining its monitor document of creating massive bucks from comparatively few recordings…


Credit score: Press

4) BMG REVENUES HIT $496M IN H1 2024, UP 12.5% YOY ON ORGANIC BASIS

BMG has reported double-digit income development for the primary six months of 2024.

The Bertelsmann-owned firm’s turnover hit EUR €459 million (USD $496m) within the six months to finish of June, up 11.1% YoY, or up 12.5% YoY on an natural foundation.

Bertelsmann credited “sturdy development in digital earnings streams” as a key driver of BMG’s development, noting a “sturdy efficiency throughout its recordings and music publishing enterprise”.

The share of digital enterprise at BMG grew to 69% of its revenues in H1 2024 vs. 63% within the prior-year interval…


Credit score: Poetra.RH/Shutterstock

5) IT’S TIME FOR STREAMING SERVICES TO ACT ON AI MUSIC

Ed Newton-Rex, former VP Audio at Stability AI and founding father of JukeDeck and moral AI licensing non-profit Pretty Educated, writes for MBW:

There was at all times going to return a time when streaming companies needed to make a name on what to permit on their platforms when it got here to generative AI. That point is now.

Up till now, Spotify has had no coverage explicitly banning AI-generated music. In 2023, Daniel Ek mentioned that instruments that mimic artists weren’t acceptable; these could also be forbidden below the corporate’s Misleading Content material coverage (the wording isn’t completely clear). However, in the identical interview, Ek particularly referred to as out AI music that didn’t immediately impersonate artists as one thing they’d not ban at this stage.

And there are indicators that, because of this, AI music is all around the platform… For DSPs to proceed to permit that is to actively allow the exploitation of musicians’ copyrighted work and not using a license to take action.

When DSPs distribute music made utilizing AI fashions which might be skilled on musicians’ work and not using a license, the dilution of the royalties paid to human musicians that these artists warned about is underway…


MBW’s Weekly Spherical-Up is supported by Centtrip, which helps over 500 of the world’s best-selling artists maximise their earnings and cut back their touring prices.Music Enterprise Worldwide

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